So why has Priestly chosen to descend from her ivory tower at Elias Clarke Publications’s Manhattan HQ and rejoin style’s entrance line? Priestly famously stepped again from public engagements inside the style trade following 2006’s warts-and-all documentary exposé, The Satan Wears Prada, of which Vogue’s movie critic wrote: “it’s so ridiculously fabulous, excessive and unimaginable to imagine that you simply’d assume it was a film—it’s actually nothing like actual life at Vogue.”
As Priestly emerged to take her place on the entrance row, hypothesis instantly started swirling by way of the Dolce & Gabbana’s Metropole venue. Hidden behind her trademark darkish glasses and ice-queen blonde crop, the stylish fashionista—wearing a leopard-belt tan trench coat, black cigarette pants, and sharp-toed golden pumps—gave little away as she strode to her seat. Kipling and their unknown however equally sharply dressed colleague adopted in Priestly’s slipstream as different friends digested the total splendor of her arrival. Alongside Kipling, the editor-in-chief sat subsequent to Naomi Campbell.
After the present, the group from Runway had been ushered backstage to debate upcoming cowl tales with Domenico Dolce and Stefano Gabbana. Afterwards, Gabbana stated: “Priestly is an icon. It’s an honor that she selected to return to the entrance rows at our present as we speak. She’s wonderful.”
One wild rumor doing the rounds at as we speak’s present was that this star visitor was, in actual fact, Meryl Streep, masquerading as the true Priestly. Vogue has reached out to Runway for remark. Within the meantime, we salute the return of Miranda Priestly to the scene: as a result of the reality is, no one can do what she does.
