On a visit to Japan ten years in the past, Pauline Dujancourt was transfixed by seeing folks tying votive needs and prayers exterior temples within the ema custom. “I didn’t wish to be disrespectful, however I wrote my very own in my pocket book and saved it,” she stated. It learn: “I want to be a designer.”
She’s made that want come true by sublimating her affinity for knit put on and crochet into her personal poetic artwork kind.
Her first stay presentation at London Dashion Week was a conceptual celebration of the second that set her the trail which, up to now, has made her an LVMH Prize finalist, and gained her orders from a clutch of boutiques and luxurious shops.
A gaggle of fashions carrying her delicate assortment of clothes, cardigan-jackets and skirts moved from side to side, engaged in a ritual of tying tiny strips of textual content to a big knitted web. It was sensible close-up approach of transmitting the sensual mixed-media attraction of her signatures: cream and smooth lichen inexperienced constructs of baby-fine yarns, draped ruchings of material, organza ribbons and tiny rouleaux bow-fastenings.
Dujancourt, who’s French, emerged with this fully-formed proposition after graduating from the École Duperré Faculty of Utilized Arts in Paris. She first crossed the channel to work as a knitwear designer for Simone Rocha and Rejina Pyo, then determined to take her MA at Central Saint Martins. Now she’s a fully-fledged member of London’s artistic class of ladies designers—each one along with her personal tackle feminine self-expression and values. The care Dujancourt takes extends to working with a collective of ladies hand-knitters and crochet specialists in Lima, Peru in addition to artisans in France and the UK. Which makes her mild aesthetics much more lovely to behold.
