The ebb and stream of time, measured by the cycles of the solar and moon, and the seasons, have been Ditte Reffstrup’s preoccupations for resort. Accordingly, she tapped Norwegian photographer Ola Rindal to shoot the lookbook, with varicolored roaming spots of sunshine marking the tempo. Fashionwise, the gathering remained inside the model’s consolation zone, with fascinating iterations on Ganni tropes. Leopard print, for instance, was minimize right into a scrumptious fake fur coat with an asymmetrical closure; there was a coordinating bag that made the choice all of the extra tempting. It was a glance to decorate up or down; and discovering that center floor was one other focus of this providing.
“Dressing up for me can truly be just a little bit troublesome,” mentioned Reffstrup, who was sporting overalls. “I feel it’s one thing that doesn’t come simple to the Scandinavian folks as a result of it’s so removed from how we gown, however we’re working rather a lot with hacking that, attempting to do issues that really feel occasional, however nonetheless in a Ganni approach.” The fanciest items within the assortment have been a sequined gown with a handkerchief hem and aspect slit and a yellow confectionery gown, gentle as meringue.
Denim, nevertheless, stays the plot driver at Ganni. It’s not troublesome to think about the reptile print denims slithering into many a closet–significantly the flares worn with an identical jacket. A keeper of a maxi denim gown leaned into the western pattern, however may also be styled in lots of different methods. The lineup’s most directional merchandise was a pair of high-waisted flares that talk to the boho ’70s vibe trend is rediscovering. They’d truly look smashing with one of many assortment’s hand-knits, just like the chunky man-in-the-moon quantity impressed by Mike Oldfield’s 1983 twangy, folk-pop music “Moonlight Shadow.”
