Stella Ishii makes use of a paper calendar to maintain monitor of the date. Every morning she rips off the day’s web page, places it apart, and goes about her day. Nothing notably extraordinary, besides that she retains each single web page, and has performed for years.
This identical diaristic method is one which her and her 6397 co-conspirators, which embody head designer Lizzie Owens and, beginning this season, profession service provider and longtime Barney’s doyenne Judy Collinson, have made their signature. “We’ve been, for a number of seasons now, increasing the neighborhood of 6397,” mentioned Owens, “this has meant we’ve been asking larger questions on ourselves, and Judy herself had plenty of questions, which has been clarifying and helped us distill it again to what it’s been.” What Owens meant by that’s that this 6397 is the advanced, finest, and truest model of the label. Mentioned Ishii: “all of us really feel actually good about this one.”
And there was certainly tons to be ok with. The inarguable winners had been a grey jersey skirt—the 6397 equal of a comfortable pair of grey sweatpants—and a pair of shorts and matching shirt within the lightest and most deliciously diaphanous of silks. A duo of trench coats in blink-and-you’ll-miss-it iridescent suitings, which opened to pleasant lining surprises, had been new 6397 must-haves, ditto a pair of denims made in a denim so skinny it felt like tropical wool suiting, and a kimono made in austere however embracing materials.
It is a label that has discovered a brand new power over the past couple of seasons. Chalk that as much as the arrival of Owens as a designer or, as she put it: “what number of inter-generational girls are spherical table-ing the design choices we make as a model.” These had been garments to dwell in, to tear the pages off your calendar and spend your daily in.
